Her profuse preparations had all this time had no sequel, and, with a laugh that she felt to be awkward, she hastily complied with his request. "It's sure to be horrid," she said; "we don't have at all good things." She offered him also bread and butter, of which he partook, holding his cup and saucer in his other hand and moving slowly about the room. She poured herself a cup, but not to take it; after which, without wanting it, she began to eat a small stale biscuit. She was struck with the extinction of the unwillingness she had felt at Ricks to contribute to the bandying between them of poor Mona's name; and under this influence she presently resumed: "Am I to understand that she engaged herself to marry you without caring for you?" She felt sick; she sank upon a seat, staring up at him. "Do you mean that great house is lost?"!

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. Mrs. Gereth seemed to wonder at this. "You won't receive him here with me?"

"What has made the difference?" "To move the furniture?" "For you, of course—to entreat me to give you up. She thinks me awfully designing—that I've taken some sort of possession of you."